so that the wig with the giant chef cap would still stick

Annaberg beech wood. Thursday evening at the Eduard-von-Winterstein-Theater. The second main sample for the Christmas tale “Sleeping Beauty” is on the agenda. A good opportunity to take a real look behind the scenes. Also, as it is probably more turbulent than on the stage. For in the play five actors play nine different roles. But that is still nothing, assure the two dresses Liliana Merkel and Kerstin Illing. In the crime comedy “The 39 Steps” a total of 108 moves have to be mastered.

A sporting challenge for all parties involved – not just the actual 47 levels, which have to be handled 10 to 20 times per piece. And that even with up to 35 kilograms on the arms, if the costumes are correspondingly heavy, says Liliana Merkel. In the fairy tale of Sleeping Beauty, however, this is not the case. The devil is once again in the details. If, for example, the pleating tulle sleeve of the fairing does not fit under the narrow sleeves of the jacket. Or the dark mane of the evil fairy is attached to the head of Gisa Kümmerling, which has been transformed into a bald head, so that the wig with the giant chef cap would still stick. So this has to be changed. For the fast costume changes african american curly wigs, which the actress has to cope with a total of three roles, would be all that hinder. You will sometimes have a maximum of 30 seconds to move.

Moments in which not only all handgrips of the dresser have to sit. There must be even every small part of the costume in his place – the black laced shoes for the cook as well as the elaborately designed head cover for the fairy. If something is missing? “Then it’s called,” also Petra Hilarius, the prosecutor, knows exactly this problem. Because the two work areas are close together: “What the actor is wearing is part of the costume and the dressing room, but what the actor is wearing over his arm is part of the props,” she explains. Just like the key Wigsen.com, which quickly disappears before the sample in the big pockets of the fairy coat. Even crooked tarts and freshly prepared fries with ketchup and Mayo belong to the props in this production. In a modern fairy tale, the king also eats French fries. The rest of them disappear on the shelf and serve the passing actors as a welcome break.

All this takes place in a confined space, which the dresses, the props and the ladies from the mask must also share with the technicians. And this evening also with the respective help, which will then be responsible for the premiere on Sunday. On this day, the team is on the road to a guest game in Bernburg in Saxony-Anhalt. Annaberg beech wood. Thursday evening at the Eduard-von-Winterstein-Theater. The second main sample for the Christmas tale “Sleeping Beauty” is on the agenda. A good opportunity to take a real look behind the scenes. Also, as it is probably more turbulent than on the stage. For in the play five actors play nine different roles. But that is still nothing, assure the two dresses Liliana Merkel and Kerstin Illing. In the crime comedy “The 39 Steps” a total of 108 moves have to be mastered.

A sporting challenge for all parties involved – not just the actual 47 levels, which have to be handled 10 to 20 times per piece. And that even with up to 35 kilograms on the arms, if the costumes are correspondingly heavy, says Liliana Merkel. In the fairy tale of Sleeping Beauty, however, this is not the case. The devil is once again in the details. If, for example, the pleating tulle sleeve of the fairing does not fit under the narrow sleeves of the jacket. Or the dark mane of the evil fairy is attached to the head of Gisa Kümmerling, which has been transformed into a bald head, so that the wig with the giant chef cap would still stick. So this has to be changed. For the fast costume changes, which the actress has to cope with a total of three roles, would be all that hinder. You will sometimes have a maximum of 30 seconds to move.

Moments in which not only all handgrips of the dresser have to sit. There must be even every small part of the costume in his place – the black laced shoes for the cook as well as the elaborately designed head cover for the fairy. If something is missing? “Then it’s called,” also Petra Hilarius, the prosecutor, knows exactly this problem. Because the two work areas are close together: “What the actor is wearing is part of the costume and the dressing room, but what the actor is wearing over his arm is part of the props,” she explains. Just like the key, which quickly disappears before the sample in the big pockets of the fairy coat. Even crooked tarts and freshly prepared fries with ketchup and Mayo belong to the props in this production. In a modern fairy tale, the king also eats French fries. The rest of them disappear on the shelf and serve the passing actors as a welcome break.

All this takes place in a confined space, which the dresses, the props and the ladies from the mask must also share with the technicians. And this evening also with the respective help, which will then be responsible for the premiere on Sunday. On this day, the team is on the road to a guest game in Bernburg in Saxony-Anhalt.

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